Hylla
Personnamn
Titel och upphov André Kertesz Michel Frizot, Annie-Laure Wanaverbecq
Utgivning, distribution etc. Hatje Cantz Ostfildern cop. 2010
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän Exhibition: Jeu de Paume, Paris (28.9.2010 - 6.2. 2011); Fotomuseum Winterthur, (26.5. - 22.5.2011); Martin-Gropius-Bau, Berlin (11.6 - 11.9.2011); Magyar Nemzeti Galéria, Budapest (30.9 - 31.12.2011).
Anmärkning: Innehållsbeskrivning, sammanfattning Summary: With his very personal images, Hungarian photographer André Kertész (1894 1985) skillfully succeeded in capturing the fleeting, emotional moments in his environment. His works had a pronounced influence on artistic photography in the mid-twentieth century and on artists such as Henri Cartier-Bresson, Robert Capa, and Brassaï. Three important periods mark his oeuvre: Budapest, 1914 25; Paris, 1925 36; and New York, 1936 85. While this first retrospective deals with all phases of Kertész s career, it sheds particular light on his work for magazines, his Distortions photographs of nude models taken with mirrors from unusual perspectives and the Polaroids, a series shot from the window of his home that features fascinating images of personal objects against the skyline of New York.
Personnamn Kertész, André 1894-1985 Fotograf
Term Konstutställningar Frankrike N Paris 2010 Fotokonst Ungern 1900-talet Fotokonst Förenta staterna 1900-talet
Personnamn Kertész, André 1894-1985 Fotograf Wanaverbecq, Annie-Laure
Automatiskt genererade ämnesord (BURK) Konst, musik, teater och film
ISBN
*00002168cam a22003617 4500
*00176251
*00520101110142202.0
*008100713s2010 gw 000 0 ger d
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*035 $a11956105
*040 $aERASA$cERASA$dHEBIS$dNfo
*050 4$aTR
*08204$a770
*084 $aInz Kertész, André$2kssb/8
*1001 $aFrizot, Michel
*24510$aAndré Kertesz$bMichel Frizot, Annie-Laure Wanaverbecq
*260 $aOstfildern$bHatje Cantz$ccop. 2010$y2010
*300 $a360 s.$bill.
*500 $aExhibition: Jeu de Paume, Paris (28.9.2010 - 6.2. 2011); Fotomuseum Winterthur, (26.5. - 22.5.2011); Martin-Gropius-Bau, Berlin (11.6 - 11.9.2011); Magyar Nemzeti Galéria, Budapest (30.9 - 31.12.2011).
*5208 $aSummary: With his very personal images, Hungarian photographer André Kertész (1894|1985) skillfully succeeded in capturing the fleeting, emotional moments in his environment. His works had a pronounced influence on artistic photography in the mid-twentieth century and on artists such as Henri Cartier-Bresson, Robert Capa, and Brassaï. Three important periods mark his oeuvre: Budapest, 1914|25; Paris, 1925|36; and New York, 1936|85. While this first retrospective deals with all phases of Kertész|s career, it sheds particular light on his work for magazines, his Distortions|photographs of nude models taken with mirrors from unusual perspectives|and the Polaroids, a series shot from the window of his home that features fascinating images of personal objects against the skyline of New York.
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*60014$aKertész, André$d1894-1985$4pht
*650 $5N$aKonstutställningar$zFrankrike$zParis$y2010
*650 $aFotokonst$zUngern$y1900-talet$2sao
*650 $aFotokonst$zFörenta staterna$y1900-talet$2sao
*7001 $aKertész, André$d1894-1985$4pht
*7001 $aWanaverbecq, Annie-Laure
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*852 $5N$bN$hPnz Folio Kertész, André$iEj fjärrlån
*900 $aKertész, Andor$d1894-1985$uKertész, André$d1894-1985
*9760 $aI$bKonst, musik, teater och film
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